Intersections: maths and the florist (2024)

Claire Curtis is Team Leader of Level 1 Floristry at Capel Manor College, Middlesex.

How would you characterise your current work?

I have been working as a lecturer at Capel Manor College for 9 years, teaching Floristry to both young and mature students and delivering all aspects of floristry theory and practice to provide skills and an insight into the industry.

How do you feel about maths?

During my school years, maths was my least favourite subject; like most pupils, I didn’t see a need to learn certain aspects of maths and only absorbed the information I thought was necessary. I believe that one of the main reasons why I didn’t embrace the subject at school was to do with how the subject was taught and explained. I didn’t understand the terminology or the breakdown of how the content was delivered, which led me to feel as though I didn’t really have an interest in learning harder topics. The knowledge that I learnt from school was sufficient for my first job in banking – however it wasn’t until I trained to be a florist that I realised how many different areas of maths are used in the industry and that having a good understanding of maths was imperative.

I have better understanding of how important maths is now. No matter how good your knowledge is on your specialised subject, you can’t achieve the higher qualifications, or often make progress beyond the first levels, without GCSE Maths or English

What is it about your work that is mathematical?

There are many areas of maths that are relevant to becoming a florist, such as percentages so we can calculate profit margins; multiplication, division and addition which are essential to work out quantities and costs of flowers; scale drawings to measure areas so we know where we can place arrangements; and the scale of the designs to how small or large they need to be for the room. Fractions also help us to understand proportions for balance and stability of designs, otherwise they would look out of shape or even topple over.

One of the interesting bits of mathematics that I didn’t learn about at school, but which has been introduced to me since working as a floristry lecturer, is the Fibonacci sequence: the numbers found by analysing natural growth patterns increase in the proportional sequence

1. 1. 2. 3. 5. 8. 13. 21. 34. 55. 89…and so on

By adding the last two numbers you obtain the next number in the sequence:

1+1=2, 1+2=3, 2+3=5, 3+5=8, 5+8=13, etc.

Below you can see some visual ways these numbers apply in design terms, often appearing as a spiral:

Intersections: maths and the florist (1)

One of the European designs that we create in floristry is called the Form Linear, in which we apply flowers by using the 3:5:8 rule, with 3 main focal groups:


  • 3 = Sub-dominate Group/Placement
  • 5 = Contrasting Group/Placement
  • 8 = Dominate Group/Placement

Intersections: maths and the florist (2)

This mathematical sequence is delivered to the Intermediate students as we have learnt that it can be confusing to discuss proportions in this amount of detail to less knowledgeable learners. These proportions are for floral arrangements that we create which have limited materials, placing emphasis on space by purposely creating voids. Although some learners may recognise creating space between flowers is required, they also need to demonstrate an understanding of why the materials have been placed in this particular proportional balance, according to the Fibonacci sequence. The above picture demonstrates how the 8-placement needs to be the dominant group of flowers, with the 3-placement providing a sub dominate of a smaller material showing less form and line. The 5-placement allows the eye to follow the line from the dominate placement by creating a void to another material that will show a contrasting type of flowers. As the chosen materials increase in terms of impact, the form and line appear more dominant, therefore the greater the number becomes along the Fibonacci sequence. It’s quite technical, and very mathematical!

How do you use maths, calculation or numeracy in your work? What tools do you use to help you?

Calculators are mainly used to help us determine costs of our flowers and designs. As florists, we may need to use tape measures for areas, particularly to help with the scale of room settings and size restrictions. We also use volume – water jugs can be used to measure ratios of flower food against water in order to gain the correct levels to sustain the longevity of fresh materials. Protractors can assist learners to recognise angles, which are important to help with placements of materials within a design.

Do you think maths is creative? If so, how?

I think maths is most creative if it is linked to a learner’s specialised subject, as it works like a tool and gives them a structure to allow them to explore imaginatively.

Sadly, I can’t remember a creative maths lesson from school – however I do think that creative teaching of this subject would be beneficial to learners. This is an area that is being developed at our college and has proven effective in terms of both engagement and results.

Do you use or rely on any maths that you learnt in school?

Truthfully, I do not remember any creative or meaningful maths lessons from school. The reason I found maths less than appealing at school is because it wasn’t made clear or relevant to where I might need this in the future or how it might relate to other areas in my life. For example, when a learner is taught multiplication or percentages, it’s really useful to know they would be able to calculate profit margins which might end up determining their salaries!

How would you change the school curriculum, if you had the chance? Why?

I think the curriculum currently meets the needs of the learners; however, I would like to change the delivery of maths classes to enable the subject to be more relevant to everyday life experiences. For the younger learners, understanding PAYE, P60’s and tax codes seem to be really important for their growth development and will encourage more interest in the subject. It seems common that some students display a negative attitude to this subject, so using ideas and applications that the learner can relate to may help and encourage them to be more focused and retain the information for a longer period of time.


Join the conversation: You can tweet us @CambridgeMaths or comment below.

Intersections: maths and the florist (2024)

FAQs

How does a florist use math? ›

For instance, a florist must feel at ease working with multiples and use fractions when customers request half a dozen flowers. Likewise, the proper proportion of the various flower kinds that should be in a bouquet is also determined in part by fractions.

What is the 3:5-8 rule in floristry? ›

The 3 5 8 rule in floristry refers to the concept of using three types of flowers, five stems of greenery, and eight stems of filler flowers in a floral arrangement. This rule provides a balanced structure to the arrangement by ensuring a harmonious combination of different floral elements.

How is mathematics embedded in a flower? ›

In the case of sunflowers, Fibonacci numbers allow for the maximum number of seeds on a flower head, so the flower uses its space to optimal effect. As the individual seeds grow, the centre of the seed head can add new seeds, pushing those at the perimeter to the outside so that growth can continue indefinitely.

What is the rose pattern in math? ›

In mathematics, a rose or rhodonea curve is a sinusoid specified by either the cosine or sine functions with no phase angle that is plotted in polar coordinates. Rose curves or "rhodonea" were named by the Italian mathematician who studied them, Guido Grandi, between the years 1723 and 1728.

What are the mathematical concepts of flowers? ›

The flower petal placement, the leaf placement, and the location of seeds can all be explained with the golden ratio. We find flowers beautiful because of the golden number/golden section/golden ratio. The golden number is (1+√5)/2, which is approximately equal to 1.618.

What is the flower power math rule? ›

Keep the flower – toss the root outside

Picture this: The top part is the flower – that's the part that you want to keep. The bottom part is the root – that part stays outside – or with the root part of the square root. So 9 raised to the 3/4 power is the same as the fourth root of 9 raised to the third power.

What is the golden ratio in floristry? ›

Employ The Golden Ratio

According to Bruni, the "golden ratio" for floral arranging is creating a visual where the arrangement is two-and-a-half sizes bigger than its container.

What is the general floral formula? ›

Floral formulae are a system to represent a flower's structure using specific numbers, letters, and symbols, hence it is a simple way to present salient features of a flower. It portrays the number of parts, floral symmetry, connotation and adnation, ovary position and insertion.

What are the four rules of flower? ›

In general, a flower has four whorl components, namely the calyx, corolla, gynoecium and androecium.

What is a flower like mathematical curve? ›

Rose curves resemble flowers. Rose curve equations have two forms: r = a cos(nθ) and r = a sin(nθ) where a ≠ 0 and n is a positive integer. Petals have length determined by a. If n is odd, the number of petals is n.

Why do petals follow Fibonacci? ›

The Fibonacci sequence allows for optimal packing of petals. The arrangement of petals in flowers serves a functional purpose. The spiral arrangement of florets in some flowers follows Fibonacci spirals. These spirals provide an efficient way to pack the florets densely.

What is the flower of life mathematics? ›

The flower of life is another sacred geometric form. It is the symbol of creation. It is created by forming a circle then moving to the edge of that circle and forming another one. Each circle begins one radius away from the surrounding circles and is of equal size.

Is rose a Fibonacci sequence? ›

Rose petals develop in a distinct Fibonacci pattern, where each new set grows between the spaces of the previous set (Peterson, 2006). This means that the more developed petals will not steal light from the newer petals (Peterson, 2006).

What is the floral formula of rose? ›

The Rose family contains around 115 genera and over 32oo species which are found world wide in distribution but are most common in North America, Europe, and eastern Asia. The floral formula is composed of: Calyx: 5 or 4 sepals: Corolla: 5 or multiple of 5 petals; free: Stamens: numerous.

What is the equation for the flower graph? ›

How to Graph Rose Polar Equations: Equations and Vocabulary. Rose graph: a polar graph that has the shape of a flower with petals. The equations for roses take the form of r = a s i n ( n θ ) and r = a c o s ( n θ ) .

What is the floral formula method? ›

Floral formulae are a system to represent a flower's structure using specific numbers, letters, and symbols, hence it is a simple way to present salient features of a flower. It portrays the number of parts, floral symmetry, connotation and adnation, ovary position and insertion.

How does a seamstress use math? ›

Sewing and Stitching: Seamstress and tailors use mathematical concepts when determining seam allowances, stitching lengths, and spacing between stitches. Accurate measurements are crucial for creating well-constructed garments.

What is the significance of the floral formula? ›

Another widely used method to succinctly describe flowers is the use of floral formulae (Table 2.1). This provides information on the kind and number of organs, type of symmetry, presence of fusions and level of insertion of the ovary. However, it lacks detail of position and orientation of organs.

How is math involved in plants? ›

During the night, mechanisms inside the leaf measure the size of the starch store and estimate the length of time until dawn. Information about time comes from an internal clock, similar to the human body clock. Arithmetic, the researchers say, is a vital component of a plant's ability to grow and thrive.

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